The Madina Collection Of Islamic Art At The Lacma Essay Example For Students

The Madina Collection Of Islamic Art At The Lacma Essay The Los Angeles County Museum of Art (LACMA) announced recently that it had acquired the remarkable Madina Collection of Islamic art. The collection contains works of various media dating from the late 7th through 19th centuries from the vast areas that comprise the Islamic world, from Southern Spain to Central Asia (Los Angeles County Museum of Art, 2005). While the museum already had quite an extensive collection of Islamic art, this particular exhibit truly adds the collections as a whole. The Madina Collection of Islamic Art The first item to be examined is a bowl from the 14th century, from either Egypt or Syria (Los Angeles County Museum of Art, 2005). It is ceramic, fritware and is underglazed-painted (Los Angeles County Museum of Art, 2005). It is 10 and   inches in diameter. The design is very symmetrical and incredibly colorful in its green and cream along with black lines. Without knowing what the design symbolizes one could imagine that it is very much an Islamic design, and appears to be religious or spiritual in content. There is a Mandela presence to the design, with very strong lines and striking elements. We will write a custom essay on The Madina Collection Of Islamic Art At The Lacma specifically for you for only $16.38 $13.9/page Order now The next piece to be examined is cup from the 13th century, from Greater Iran. This cup is Silver, gilded, chased and punched and measures 3 7/8 x 4 5/8 in. (9.84 x 11.75 cm) (Los Angeles County Museum of Art, 2005). It is a relatively simple cup, almost seemingly like a cup with very little, if any, base. It is very rounded and almost appears as though it is to be only held, and never set down. There is a design around the rim of the cup. The design is a repetitive design and appears to be an almost universal type design that could be attributed to any culture. It is something of a floral, or leaf design and looks to be gold rather than silver as is the rest of the cup. It is a very balanced and beautifully simple piece. There is a finial from the 14th century Northern Iran, perhaps from Mazanderan (Los Angeles County Museum of Art, 2005). This piece is intricately carved from wood and possesses traces of paint (Los Angeles County Museum of Art, 2005). It measures 14 inches tall and 6 inches in diameter at its widest point. It is wide at its base and tapers off, not completely to a point, at the top. It is a very solid as well as very patterned piece of art, or architecture. Like the previous items discussed or examined, it seems to have a very symmetrical feel to it, as there is not necessarily a picture to be seen, but a repetitive element that is seen throughout the piece, or all around the piece in this case. The carving appears to be open carving in that there are holes in the finial where there is no wood as part of the carved out design. The last piece to be discussed or examined is the base of a candlestand. This piece from Syria or Egypt during the 13th century and is made from bass, with inlaid silver and gold (Los Angeles County Museum of Art, 2005). It measures 2 3/8 x 5 1/4 in. this piece appears to have three sides along with three feet. Though not all sides are shown online, it can be assumed that all three sides are the same, especially considering how the previous works discussed seem to present a repetitive pattern. The side seen shows intricate details of three birds flying through design elements, around a circular centerpiece. The three legs are somewhat scrolled, and the entire piece is very flowing and organic in design, yet also possesses a somewhat sharp geometrical position in its triangular shape. .ud3678adef3b1a85bf3e64fe12d813012 , .ud3678adef3b1a85bf3e64fe12d813012 .postImageUrl , .ud3678adef3b1a85bf3e64fe12d813012 .centered-text-area { min-height: 80px; position: relative; } .ud3678adef3b1a85bf3e64fe12d813012 , .ud3678adef3b1a85bf3e64fe12d813012:hover , .ud3678adef3b1a85bf3e64fe12d813012:visited , .ud3678adef3b1a85bf3e64fe12d813012:active { border:0!important; } .ud3678adef3b1a85bf3e64fe12d813012 .clearfix:after { content: ""; display: table; clear: both; } .ud3678adef3b1a85bf3e64fe12d813012 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ud3678adef3b1a85bf3e64fe12d813012:active , .ud3678adef3b1a85bf3e64fe12d813012:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ud3678adef3b1a85bf3e64fe12d813012 .centered-text-area { width: 100%; position: relative ; } .ud3678adef3b1a85bf3e64fe12d813012 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ud3678adef3b1a85bf3e64fe12d813012 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ud3678adef3b1a85bf3e64fe12d813012 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ud3678adef3b1a85bf3e64fe12d813012:hover .ctaButton { background-color: #34495E!important; } .ud3678adef3b1a85bf3e64fe12d813012 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ud3678adef3b1a85bf3e64fe12d813012 .ud3678adef3b1a85bf3e64fe12d813012-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ud3678adef3b1a85bf3e64fe12d813012:after { content: ""; display: block; clear: both; } READ: Rap As Art EssayThe pieces presented and examined come from the 13th or 14th century and are all pieces that are on display in the museum. Some of the pieces presented in the museums website about the exhibit are not currently on exhibit and those chosen for discussion were partly chosen because they are for the public to view at present. The information presented on these items is presented only as suggestive to assist the student with the further development of their own analysis of this, or another, exhibit in California.

Razors Edge Essay Example

Razors Edge Essay Example Razors Edge Essay Razors Edge Essay Essay Topic: Woman On the Edge Of Time Wyett Stoddard British literature Mrs. Rydjeski 28 September 2010 The Razors Edge Paragraph In the novel, The Razors Edge, Larry Darrel and Sophie McDonald are characters that both manifest characteristics of the â€Å"Lost Generation† because the war has alienated many at this point in time. Larry a war, WW1 veteran, had witnessed his best friend die in war and upon return his family and friends saw how traumatized he was. After the war, Larry had postponed his engagement with his fiance, Isabel, and instead wanted to â€Å"loaf† for two years in France. This is the point at which Larry had begun to question his faith in God, why his best friend had to die, and was in search of questions about the universe. In this era many people like Larry had begun to do the same. It seems to be pretty clear that Larry was looking for answers about God, â€Å"but it may be that at the end of it he’ll find what he’s looking for. Hasn’t it occurred to you? It seems to me that in what he said to you he indicated it pretty plainly, God. Maugham 71) † Larry like many people in that decade had tried seeking for answers about why God had let the war happen, â€Å"he’s been seeking for a philosophy or maybe a religion and a rule of life that’ll both satisfy his head and his heart. (Maugham 209)† Another key character in the book that showed a feature of â€Å"The Lost Generation† was Sophie McDonald. Sophie was a very nice woman who enjoyed poetry, wanted to help others, and loved her family who died in a car accident. After that she was devastated and was scarred for the rest of her life,†She nearly Stoddard 2 ent crazy, she shrieked the place down, they had to watch her day and night and once she nearly succeeded in jumping out of the window(Maugham 195)†. A lot of people also were damaged like her but the damage was caused by the war. Sophie was a drunk and a loner and because she chose to go down that path nobody wanted to be around her, â€Å"; if you asked her to dine she’d arrive plastered and she was quite likely to pass out before the evening was over. (Maugham 195)† Like Sophie loads of people were alienated and felt like they didn’t belong. Larry and Sophie represented characteristics of the â€Å"Lost Generation† and how people of that time felt.

Accounting Client Response Essay Example | Topics and Well Written Essays - 750 words

Accounting Client Response - Essay Example ng research issue’, ensuring timely and updated information and news about the release of new accounting standards to major users and alleviating the ‘risk of noncompliance with standards making the literature easier to use’. (Internet: fasb.org) It is worthwhile to highlight the fact after an extensive research on FASB codification that leasing had a total volume of worth US $760billion alone in 2007 (prior to recession) but due to the complications of financial reporting standards, a mammoth sum of those lease contracts went unreported in financial statements of various business entities. Perhaps, the main reason behind this was the fact that leases were divided into two categories such as Operating leases and Capital or Finance leases by IFRSs and US GAAP and accountants recognized only the assets and liabilities arising from Capital leases’ in the company’s balance sheet. On the other hand, ‘for an operating lease the lessee simply recognized lease payments as an expense over the lease term’. This difference in recording of lease contracts and their categorization led to different technical issues such as misunderstanding and misinterpreting by accounting users who tended to believe that all le ase contracts increases ‘assets and liabilities so they should be recognized in the financial statements of lessees and hence regularly adjusted those amounts in their balance sheets to evaluate assets/liabilities effects resulting from operating lease contracts.’ Secondly, the categorization of contracts also resulted in ‘similar transactions being accounted for very differently and reducing comparability for users of accounting information.’ And thirdly, the difference in reporting the two types ‘provided opportunities to structure transactions so as to achieve a particular lease classification.’ (News Release, 2009) It was due to the above problems as defined by FASB, it along with IASB came up with a new approach in which classification of